Hugo, the inspirational tale of an orphaned child who attempts to unravel a great mystery in order to give closure and to connect with his late father, is most well known for its huge budget and masterful use of special effects. However, the film does in fact delve into older special effect techniques, as an homage to Georges Melies. For example, the train crash, as we watched, was done through a model, and the automaton was not done through effects, it was actually made. There’s always something interesting about a Martin Scorsese movie, and when it comes to Hugo, the topic of discussion is the marvelous style that the movie has through its special effects and cinematography. In my opinion, the film is style over substance, and apart from the effects, it doesn’t really wow me. The acting and character progression, in particular, were two plot elements that I think could have been done better. Hugo and Isabelle were annoying and not likable, and the comic relief that the train inspector provided was unnecessary. The progression of the characters was also confusing. Isabelle and Hugo become best friends instantly, and seemingly for no reason. Georges Melies and his wife are the only interesting characters. The sequence where Melies explains his movie making career, and all of his previous works are shown on screen, is probably the best part of the entire film. The tinting of Melies’ old movies combined with the narration Melies provides makes this scene one of the most rememberable scenes, too. It is the most colorful part of the film, and it doesn’t even use CGI. From start to finish, Hugo is a decent film. It provides most of what an audience is looking for in excitement, fun, and a stylistic edge. however, It lacks the substance of a great film.